Some people think that the hardest part about writing is getting ideas. I disagree, primarily because I’ve always had ideas (even a few good ones). Furthermore, I know the best way to get ideas: thinking. Bill Watterson said it best: “Shutting off the thought process is not rejuvenating; the mind is like a car battery – it recharges by running.”
Think about anything you want, and the more you think, the more ideas will show up. If you’re a little lucky, they might turn out to be good. If you don’t get any good ideas, stick a few mediocre ideas together in the meantime. If you don’t get any ideas at all, go do something else, but don’t stop thinking. If you only get a stupid idea, it’s better than nothing.
Then you write. Writing will produce more ideas, which will help you write, which will produce more ideas, and so on. Writing, like all art, is a combination of ideas and effort. You can’t just wait for ideas to show up, and you can’t just wait for a novel to write itself.
So I wrote a novel. Like most novelists, I only had a vague idea of what to do next. First, you have to find a literary agent. Then, the agent finds a publisher. Then, something. The process is crystal clear. I wrote a query letter, which is essentially how authors pitch their books to agents. You pitch the book to a multitude of agents, and if one of them finds it interesting, they’ll contact you and offer to represent you. (By the way, if any literary agents are reading this, they should feel free to contact me.)
In the past couple of months, I’ve sent out about 45 emails and 6 letters. I’ve gotten a couple dozen rejections, which I expected. I don’t mind the rejection, because I know how to deal with rejection. It’s the same way I deal with acceptance: action. Action is my greatest ally, largely because inaction has been my greatest adversary for more than a decade.
I hate the waiting. Most agents take at least 6 weeks to respond to a query, for better or worse. I keep thinking of a line from FLCL, my second favorite anime: “Each day we spend here is like an entire lifetime of dying slowly.” It’s a bit melodramatic, but I like it. I can’t shut off my brain while I wait I wait for responses, so ideas keep coming. Some of the ideas are good, of course. I write them down.
But some of my ideas are actually horrifying questions that sneaked up on me. What if the book is terrible? Am I pitching it correctly? Is there an audience for it? What if the ideas aren’t compelling enough? Has it been done before? Will it stand out from the thousands of books that don’t get published?
Then the worst question of all: What if it doesn’t matter? What if there’s nothing I can do to succeed?
I want to act! If the novel sucks, I’ll write a better one! I have the ideas! I’ll make the effort! I don’t know what to do!
I need this.
Of course, there’s always self-publishing. I could self-publish my novel without too much trouble. Then another question sneaks up: If the novel doesn’t interest agents, will it interest readers at large? The evidence suggests otherwise. Setting aside the notable successes of self-publishing (all four of them), I can see that amazon.com is flooded with unfinished and uninteresting novels by tens of thousands of aspiring authors. They weren’t ready for primetime, so they settled for public access.
I’m not ready to settle yet, so during my waiting period, I took action. Next month, I will be lecturing about cryptography and steganography at a science fiction convention in Provo, Utah. It’s called Life, the Universe, and Everything (www.ltue.net). I’m not sure what specifically I’ll be doing, because I’m still waiting for an email response. Sigh.
Anyway, sharing ideas is the central reason I became a writer, and sharing mathematical ideas still counts. I’m looking forward to teaching this material, and hopefully I’ll encounter a lot of people who share my interests. I’ll probably meet some agents and other writers face-to-face, which will be a valuable experience.
As I wait, I’m worrying about the winter weather, the car trip, the expenses, and a million other concerns. If it all falls through, I can at least play 52 Pickup (actually, 100 Pickup) with the business cards I ordered. In the meantime, I’ve been checking my email far too often. Any response is better than nothing, right?
I also wanted to share a coping mechanism with the other agnostic waiters of the world. It doesn’t matter if anyone hears them; the value comes from saying them.
Steven’s Three Agnostic Prayers:
1. I don’t understand.
2. I can’t control everything.
3. I’m not sure what I should do.
One thought on “Ideas, Impatience, and Agnostic Prayers”
Interesting stuff. It may comfort you to know that fear of failure is the most common fear any artist encounters when attempting to create something beautiful. You should read “The War of Art” by Steven Pressfield. It’s a brilliant account of how to cope with these constant, nagging fears.